Monday, November 12, 2012
Ryan Larkin
Walking ~ Ryan Larkin 1968
Street Musique ~ Ryan Larkin 1972
Ryan ~ Chris Landreth 2003
Spare Change ~ Ryan Larkin 2008
Ryan Larkin
July 31, 1943, Montreal, Quebec – February 14, 2007, Saint-Hyacinthe, Quebec
Taking home
There is a storyline of the world and there is also a trajectory of the soul. The soul presents a self into this world through a body, into situations which will provide an opportunity to experiment with creativity and its consequences, enhance its learning, and express itself in myriad ways. The world provides the opportunities. It is hard not to be discouraged when we see things happening in the opposite fashion to that which we hold right and wholesome inside. In the end what we take ‘home’ with us is not our misfortune, though that has its effect, but how we dealt with the decisions we made, the lives we believe we squandered, the time we believe we lost and the way in which we allowed others to hold sway over us.— Be Happy Anyway by Elisa Novick
Over and over the message is: you are love, you are the Beloved.
Friday, November 09, 2012
Friday, November 02, 2012
Philippe Jaroussky ... Paradiso e Inferno
Saw the film Tous Les Soleils... nice and light, with lovely music.
Throught it, found this marvel: Philippe Jaroussky.
Here he sings with the company that is featured in the film, Christina PLUHAR & L’Arpeggiata.*
Philippe Jaroussky L'Arpeggiata-Christina Pluhar Concert life Ambronay 18.09.2008
« Icônes du Seicento »
Philippe Jaroussky Contre-tenor
LArpeggiata Christina Pluhar
Christina Pluhar théorbe & direction
Alessandro Tampieri violon
Doron Sherwin - cornet
Eero Palviainen guitare baroque
Charles Edouard Fantin - guitare baroque
Margit Übellacker - psaltérion
Haru Kitamika clavecin
Richard Myron violone
Michèle Claude percussions
Réalisateur Olivier Simonnet
Une production de © CLC Productions, Ensemble l'Arpeggiata, Centre Culturel de Rencontre d'Ambronay
Avec la participation de mezzo et France 2
Concert filmé au 29eme festival dAmbronay
Ciaccona del Paradiso e del Inferno
O che bel stare è stare in Paradiso
Dove si vive sempre in fest’e riso
Vedendosi di Dio svelato il viso
O che bel stare è star in Paradiso.
Ohimè che orribil star qui nell’inferno
Ove si vive in pianto e foco eterno
Senza veder mai Dio in sempiterno
Ahi, ahi, che orribil star giù nell’inferno.
Là non vi regna giel, vento, calore,
Che il tempo è temperato a tutte l’hore
Pioggia non v’è, tempesta, nè baleno,
Che il Ciel là sempre si vede sereno.
Il fuoco e ‘l ghiaccio là, o che stupore
Le brine, le tempeste, e il sommo ardore
Stanno in un loco tute l’intemperie
Si radunan laggiù, o che miserie.
Havrai insomma là quanto vorrai
E quanto non vorrai non haverai
E questo è quanto, o Musa, posso dire
Però fa pausa il canto e fin l’ardire.
Quel ch’aborrisce qua, là tutto havrai
Quel te diletta e piace mai havrai
E pieno d’ogni male tu sarai
Dispera tu d’uscirne mai, mai, mai!
O che bel stare è star in Paradiso
Dove si vive sempr’in fest’e riso
Vedendosi di Dio svelato il viso
O che bel stare é stare in Paradiso.
lyrics from music-stall
from a comment there:
“Ciaccona del Paradiso e del Inferno” with Philippe Jaroussky on the CD “Christina PLUHAR & L’Arpeggiata – Via Crucis” edited by Emi-Virginclassic : http://www.amazon.fr/Via-Crucis-Deluxe-Livre-DVD/dp/B0035F0MZU
or for download : http://www.musicme.com/ (search Christina Pluhar)"
Throught it, found this marvel: Philippe Jaroussky.
Here he sings with the company that is featured in the film, Christina PLUHAR & L’Arpeggiata.*
Ciaccona del Paradiso e del Inferno
Philippe Jaroussky L'Arpeggiata-Christina Pluhar Concert life Ambronay 18.09.2008
« Icônes du Seicento »
Philippe Jaroussky Contre-tenor
LArpeggiata Christina Pluhar
Christina Pluhar théorbe & direction
Alessandro Tampieri violon
Doron Sherwin - cornet
Eero Palviainen guitare baroque
Charles Edouard Fantin - guitare baroque
Margit Übellacker - psaltérion
Haru Kitamika clavecin
Richard Myron violone
Michèle Claude percussions
Réalisateur Olivier Simonnet
Une production de © CLC Productions, Ensemble l'Arpeggiata, Centre Culturel de Rencontre d'Ambronay
Avec la participation de mezzo et France 2
Concert filmé au 29eme festival dAmbronay
Ciaccona del Paradiso e del Inferno
O che bel stare è stare in Paradiso
Dove si vive sempre in fest’e riso
Vedendosi di Dio svelato il viso
O che bel stare è star in Paradiso.
Ohimè che orribil star qui nell’inferno
Ove si vive in pianto e foco eterno
Senza veder mai Dio in sempiterno
Ahi, ahi, che orribil star giù nell’inferno.
Là non vi regna giel, vento, calore,
Che il tempo è temperato a tutte l’hore
Pioggia non v’è, tempesta, nè baleno,
Che il Ciel là sempre si vede sereno.
Il fuoco e ‘l ghiaccio là, o che stupore
Le brine, le tempeste, e il sommo ardore
Stanno in un loco tute l’intemperie
Si radunan laggiù, o che miserie.
Havrai insomma là quanto vorrai
E quanto non vorrai non haverai
E questo è quanto, o Musa, posso dire
Però fa pausa il canto e fin l’ardire.
Quel ch’aborrisce qua, là tutto havrai
Quel te diletta e piace mai havrai
E pieno d’ogni male tu sarai
Dispera tu d’uscirne mai, mai, mai!
O che bel stare è star in Paradiso
Dove si vive sempr’in fest’e riso
Vedendosi di Dio svelato il viso
O che bel stare é stare in Paradiso.
lyrics from music-stall
from a comment there:
“Ciaccona del Paradiso e del Inferno” with Philippe Jaroussky on the CD “Christina PLUHAR & L’Arpeggiata – Via Crucis” edited by Emi-Virginclassic : http://www.amazon.fr/Via-Crucis-Deluxe-Livre-DVD/dp/B0035F0MZU
or for download : http://www.musicme.com/ (search Christina Pluhar)"
Marcadores:
films,
L'Arpeggiata ~ Christina Pluhar,
music,
Philippe Jaroussky,
video
Monday, October 29, 2012
Sunday, October 28, 2012
Thursday, October 18, 2012
Hallelujah ~ Jeff Buckley
Hallelujah
Leonard Cohen ~ version Jeff Buckley
I heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
Well, it goes like this:
The fourth, the fifth,
The minor fall and the major lift
The baffled king composing Hallelujah
Hallelujah... Hallelujah...
Hallelujah... Hallelujah...
Well, your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you to her kitchen chair
And she broke your throne and she cut your hair
But from your lips she drew the Hallelujah
Hallelujah... Hallelujah...
Hallelujah... Hallelujah...
Baby, I've been here before
I've seen this room and I've walked this floor (you know/yes)
I used to live alone before I knew you
And I've seen your flag on the marble arch
And love is not a/some victory march
It's a cold and it's a broken Hallelujah
Hallelujah... Hallelujah...
Hallelujah... Hallelujah...
Well, there was a time when you let me know
What's really going on below
But now you never show that to me, do you?
And remember when I moved in you
And the holy dove was moving too?
And every breath we drew was Hallelujah
Hallelujah... Hallelujah...
Hallelujah... Hallelujah...
Maybe there's a God above
But all I've ever learned from love
Was how to shoot somebody/at some one who outdrew you
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah
Hallelujah... Hallelujah...
Hallelujah... Hallelujah...
Live at Nulle Part Ailleurs September 8th 1995
Jeffrey Scott "Jeff" Buckley
November 17, 1966 – May 29, 1997
Mars energies
From M. Kelley Hunter's Cosmic News: Balancing Act newsletter:
"One is from James Kelleher (www.jameskelleher.com). This is actually an extract from some of his commentary on a major factor of the last Full Moon. I share it because it struck me as so significant a moment, when MARS ON THE NORTH NODE IN SCORPIO signaled a strong energy current of intensity and transformation that set a tone:
"Mars is the planet of assertiveness, energy, and ambition on the positive side. On the negative level, it represents anger, warfare, injuries and enemies.
Rahu is the planet of compulsion and obsession on the negative side. On the positive side it represents innovation, revolution and change."
Mars is now in Sagittarius, directing the energy like a long distance runner. But that powerful Scorpio moment is worth noting, as we are contending with major Scorpio themes with Saturn and the North Node there."
To subscribe to Kelley's newsletter go here.
"One is from James Kelleher (www.jameskelleher.com). This is actually an extract from some of his commentary on a major factor of the last Full Moon. I share it because it struck me as so significant a moment, when MARS ON THE NORTH NODE IN SCORPIO signaled a strong energy current of intensity and transformation that set a tone:
"Mars is the planet of assertiveness, energy, and ambition on the positive side. On the negative level, it represents anger, warfare, injuries and enemies.
Rahu is the planet of compulsion and obsession on the negative side. On the positive side it represents innovation, revolution and change."
Mars is now in Sagittarius, directing the energy like a long distance runner. But that powerful Scorpio moment is worth noting, as we are contending with major Scorpio themes with Saturn and the North Node there."
To subscribe to Kelley's newsletter go here.
Wednesday, October 17, 2012
Ain't No Ash Will Burn
Lovely John & Lisa...
John Smith performs "Ain't No Ash Will Burn" with Lisa Hannigan
on a boat in Baltimore, West Cork. Filmed by Myles O'Reilly.
Ain’t No Ash Will Burn :: Walt Aldridge
I have seen snow that fell in May
And I have seen rain on cloudless days
Some things are always bound to change
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
You say this life is not your lot
And I can’t be something that I’m not
We can’t stoke a fire that we ain’t got
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
In every life there comes a time
When there are no more tears to cry
You must leave something dear behind
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
There is one lesson I have learned... ...
There ain’t no ash will burn
— lyrics: help from here and Old Sledge
John Smith performs "Ain't No Ash Will Burn" with Lisa Hannigan
on a boat in Baltimore, West Cork. Filmed by Myles O'Reilly.
* * *
Ain’t No Ash Will Burn :: Walt Aldridge
I have seen snow that fell in May
And I have seen rain on cloudless days
Some things are always bound to change
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
You say this life is not your lot
And I can’t be something that I’m not
We can’t stoke a fire that we ain’t got
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
In every life there comes a time
When there are no more tears to cry
You must leave something dear behind
There ain’t no ash will burn
Love is a precious thing I’m told
Burns just like West Virginia coal
But when the fire dies down it’s cold
There ain’t no ash will burn
There is one lesson I have learned... ...
There ain’t no ash will burn
— lyrics: help from here and Old Sledge
Marcadores:
bluegrass,
John Smith,
Lisa Hannigan,
lyrics,
music,
video,
Walt Aldridge
Monday, October 15, 2012
Gone, Gone
Gone, Gone
Grey Revell ~ Crazy Like An Ambush
run run screaming at the sun
couldn't've done better if i won it in the lottery
run run faster than a gun
gonna find my baby and i'm gonna have a family
run run till the running's done
gonna play guitar and make money off her pottery
fun fun underneath the sun
we're gonna have a baby and we're gonna raise it right
gone gone every thing is gone
maybe now i'll find someone i love and have a family
dumb dumb everyone was dumb
slaving for a dollar in the name of nationality
bomb bomb thank you for the bomb
you vaporize the idiots you send 'em to infinity
run run till the running's done
i'm gonna find my baby and I'm gonna treat her right
gone gone every thing is gone
couldn't've done better if i won it in the lottery
run run till the running's done
i'm gonna play guitar and make money off her pottery
bomb bomb thank you for the bomb
you vaporize the idiots you send 'em to infinity
run run screaming at the sun:
"i'm gonna have a family i'm gonna do it right"
Good tip from an HP tv add! Another good find through an add — last year's I Am..., Nikon's add with music by Ben Cooper.
Sunday, October 14, 2012
Thine Self & Any Man
“This above all: to thine own self be true, and it
must follow, as the night the day, thou canst not then be false to any
man.” — Shakespeare
Tuesday, September 25, 2012
Ceres Trigger
"The Sabian symbol for the first degree of Cancer suggests that
paradigm-shift around food is inevitable. The question is, with
everything else trying to get our attention right now, will something as
basic as food be able to cut through the static?
The Sabian symbols are part of a channeled system famously interpreted by Dane Rudhyar in his book An Astrological Mandala. There is a symbol for each degree of the zodiac. The one for 01 Cancer is: “On a ship the sailors lower an old flag and raise a new one.” Rudhyar adds the keynote, “A radical change of allegiance exteriorized in a symbolical act: a point of no return.”
If that doesn’t say ‘paradigm shift’, I don’t know what does. Any idea what sort of “symbolical act” you may choose tomorrow? Perhaps you will know it only as you do it — or in hindsight, as you look back and realize what some seemingly small choice actually set in motion.
Incidentally, when Ceres enters Cancer it will trine Neptune, which is currently retrograde in the first degree of Pisces. A trine is a flowing aspect of signs with the same element. Neptune’s conversation with Ceres tomorrow could be about the creative ways we can solve our personal and collective food challenges. It could lend a sense of spiritual support or importance to Ceres on the Aries Point. It may, on the other hand, help those of us not quite ready to face facts slide back into denial about just how capable we are of releasing old food habits and beliefs about what nourishes us."
— Amanda Painter Ceres on the Aries Point
The Sabian symbols are part of a channeled system famously interpreted by Dane Rudhyar in his book An Astrological Mandala. There is a symbol for each degree of the zodiac. The one for 01 Cancer is: “On a ship the sailors lower an old flag and raise a new one.” Rudhyar adds the keynote, “A radical change of allegiance exteriorized in a symbolical act: a point of no return.”
If that doesn’t say ‘paradigm shift’, I don’t know what does. Any idea what sort of “symbolical act” you may choose tomorrow? Perhaps you will know it only as you do it — or in hindsight, as you look back and realize what some seemingly small choice actually set in motion.
Incidentally, when Ceres enters Cancer it will trine Neptune, which is currently retrograde in the first degree of Pisces. A trine is a flowing aspect of signs with the same element. Neptune’s conversation with Ceres tomorrow could be about the creative ways we can solve our personal and collective food challenges. It could lend a sense of spiritual support or importance to Ceres on the Aries Point. It may, on the other hand, help those of us not quite ready to face facts slide back into denial about just how capable we are of releasing old food habits and beliefs about what nourishes us."
— Amanda Painter Ceres on the Aries Point
Sunday, September 16, 2012
Silence, in three
25th ANNIVERSARY ROCK AND ROLL HALL OF FAME CONCERT
Simon & Garfunkel - The Sound of Silence
Madison Square Garden, NYC - 2009/10/29&30
Live in Central Park, 1981
"The Sound of Silence was written in February 1964 by Paul Simon and originally recorded as an acoustic piece for the first Simon and Garfunkel album, Wednesday Morning, 3 A.M. released October 19, 1964 by Columbia records. It was later overdubbed with electric guitar (played by Al Gorgoni), electric bass (Bob Bushnell), and drums (Bobby Gregg), and released as a single in September 1965, resulting in Simon and Garfunkel's first hit. The version presented here is the original acoustic one."
Friday, September 07, 2012
Monday, September 03, 2012
Disappointment. Strength. Re/Birth.
The Empress understands that every rebirth follows on the heels of an ending. What you are being invited to consider is the ending of a form of Disappointment that came into being when you chose to cut yourself off from the flow of your emotions, and in the process to separate yourself from love in its highest incarnation. You are being transformed in the fires of the Nine of Wands. It is time to face the fear that led you to empty yourself out — where you ran dry — and see what lies past the cycle of withholding and withdrawing, of hardened shine without the depth and which feeds nothing.
— Sarah Taylor, The Weekend Tarot Reading — Sunday, September 2, 2012 "Disappointment. Strength. Re/Birth."
— Sarah Taylor, The Weekend Tarot Reading — Sunday, September 2, 2012 "Disappointment. Strength. Re/Birth."
Friday, August 24, 2012
e-Bermuda Triangle
Oh! So true!
She just forgot bloggerland! (it's right there in the middle, near the work sinkhole...)
She just forgot bloggerland! (it's right there in the middle, near the work sinkhole...)
Wednesday, August 22, 2012
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